女巫1967

爱美剧网1967喜剧片女巫1967剧情介绍；"The Witch Burnt Alive"　　After a very long, but visually arresting animated opening credits sequence, Luchino Visconti (Death in Venice) directs the first story, which is the longest of the five, taking approximately a third of the film's running length. Mangano plays a superstar actress and model who travels to a mountain resort, only to find the well-to-do inhabitants have prejudices and preconceived notions about her based on her public persona. The women are all jealous and the men all want to sleep with her, but all Mangano wants is to be left alone. It's a mostly somber satirical piece, but story-wise, it languishes in its modest idea a bit long, becoming inconsequential to all but those fascinated by the realities of being famous.　　"Community Spirit"　　Bolognini's piece isn't really a story. It's more of a visual gag, in a short segment that features Mangano offering to take an injured man to a hospital, driving him at breakneck speed throughout the city, but not stopping at locations where he might find aid. I won't give away the punchline here, but it succeeds in being amusing, even if it's the kind of thing that only is interesting the first time through.　　"The Earth Seen from the Moon"　　The esteemed writer/director, Pier Paolo Pasolini (Salo), crafts the middle segment, which is the most artistic and memorable of the five. Reminiscent in style to "Don Quixote", a recently widowed father and his son travel around the country in search of a new wife and mother, and after a long period, they discover the literally speechless Mangano. She brings joy into their lives, but they are poor, and in order to find a better life for themselves, they concoct a scheme to try to make some quick cash. The story is contrived, and not completely interesting, but the outlandish performances, artwork, and costumes does evoke great charm and likeability. Although mute, it's probably the most appealing of Mangano's five performances, and Toto is terrific.　　"The Sicilian"　　Franco Rossi directs the fourth an shortest piece, a straight-forward revenge story that comes and goes before it ever has a chance of becoming interesting. It's violent, but easily the least satisfying of the five stories.　　"A Night Like Any Other"　　Eastwood's appearance is clearly the biggest attraction here, which was filmed in between the Sergio Leone "Dollars" trilogy. It's an enjoyable departure from his normal roles, playing a comedic romantic lead, and he is affably fun to watch. Famed Italian director, Vittorio de Sica (The Bicycle Thief, Umberto D.) does a masterful job with the story, which perfectly blends the mundane and the fantasy in a visually satisfying way. The story is about a bored housewife (Mangano, of course), who tries in vain to get her husband to reaJamesCaan自己最满意的作品之一lize that he is not as romantic as he used to be. The scene is interspersed with comedic romance sequences revolving around the couple's past romantic interludes, and dreams of how their lives should be.
剧中经典神评；不能忍，太奇葩的剧情了，一分不能再多了，强迫症支撑我看完，全程2倍速，被优酷分数骗了！！！
我真的从来没喜欢过表现嗨的电影，另一个例子是华尔街之狼，我称之为假嗨电影，party嗑药sex，极尽奢华，角色各个疯狂，谈论着跟剧情没什么太大关系的废话，配上复古的迷离的疯狂的音乐，动用一切手段营造嗨的感觉，但我坐在这电脑前，我一点都不嗨，我看着他们只感觉这些人浮浮躁躁奇奇怪怪不可理喻，你说PTA运镜流畅，我同意啊，两段揍人的交叉剪辑也不错，但整体我还是看不下去，再加上剧情实在是没什么戏剧冲突，我实在找不到持续看下去的动力
今晚又看了一遍，感触依然深刻如昨