狂野街头3.0

爱美剧网1968恐怖片狂野街头剧情介绍；Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007　　Author TimothyFarrell from Worcester, MA　　Wild in the Streets comes from the same school of film making that spawned other attempts to connect to the counterculture such as Skidoo and Candy. The difference between this and the aforementioned films is that Wild in the Streets is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike The Trip and Psych-Out (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.　　The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of grooviness. The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). Wild in the Streets isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those也许有些戛然而止，但又能期待怎样的结局？电影虽是叙事的艺术，但叙事不是目的，根本目的与文字作品一样，是带给人思考和启发 into this kind of kitsch will enjoy it the most. I'd rather watch The Trip or Psych-Out however. (610)　　-from imdb
剧中经典神评；爱情太美好，美好到只是相遇，就好像全世界都被妆点成五彩斑斓的圣诞树，美得冒着粉红泡泡
一连串的金曲响起，让人无限思忆往日时光
我观看时却没什么感觉，估计美国电影看多了深受其毒害啊，也许已经变成了亲美派