蚁王杀机9.0

爱美剧网2003恐怖片蚁王杀机剧情介绍；Stuart Gordon, considered a master of the horror genre thanks to classics like Re-Animator and Dagon, decides to do a different move in this strange trip to human morals　　　　"King of the Ants" is about a regular guy, Sean Crawley(newcomer Chris McKenna), a man without any aspiration who just live in his apartment doing the necessary job to live to the next day. In one of his jobs he meets Duke(Gearge Wendt), who introduces Sean to his boss, Ray Matthews(played by Daniel Baldwin). Ray hires Sean as a spy, and ord我不認同這句話"旁觀者比加害者更可惡"ers him to follow Eric Gatlin(Roy Livingstone), an accountant who has been investigating Ray's company. Problems start when Ray, while drunk, orders Sean to kill Eric. And he does it. Things go wrong when Ray decides to make Sean disappear destroying his mind with violent punishment and humiliation.　　　　From the point where Sean kills Eric, we go in the same boat with him, as he goes through a downward spiral of human degradation, traveling from guilt, to confusion and finally to his rebirth, in a state where humanity, morals and values are not important anymore. Chris McKenna acting is very important because he manages to be likable even when he is part of gruesome acts, both as victim and/or criminal. He has that look of innocence that hides a dark side and he manages to carry the film.　　　　The support cast also includes Kari Wuhrer, as Eric's widow who also becomes a central part of Sean's trip to hell. She gives a fine performance, although it's obvious that Sean is the main character. He is the most developed of all and McKenna's performance is up to the challenge.　　　　The film has very disturbing images of violence, and while it may not be as graphic as "Kill Bill" for example, the strength of the violence is in the lack of humanity that the character manifest. He is more than an ant in this world. He is the king.　　　　Stuart Gordon has managed to create a film that, while maybe it's not one of his best efforts; it's very well done, has a VERY interesting story to tell, and manages to capture the attention every second of it.
剧中经典神评；先天不足的电影再如何补救也是徒劳，核是坏的，长得再漂亮也不会有人觉得可口，只让人觉得，那些故作风格的镜头是为了掩饰电影本身的苍白无力
现在烂片也很良心啊，开篇不到5分钟就烂的可圈可点，让人不用继续浪费时间。就为了这点，良心一星必须的！
好结构被玩散还另说，怕是他结构聚得好也没东西可讲啊，这不更尴尬了嘛我一直觉得罗马利亚新浪潮是最像我国第六代的电影流派，这不印证了嘛，如果贾樟柯对标蒙吉的话，那刁亦男和波蓝齐宇就是彼此的翻版了吧，这片不就是罗马尼亚平行时空里的《南方车站的聚会》吗，连优缺点都像得要命，导演撞创意也太尴尬了吧辛苦去年戛纳主竞评委了，竟然要看两部内核一样只换了情节的片子2.3