爱美剧网2022纪录片余波2022剧情介绍;An alarmingly disproportionate number of Black women are failed every year by the U.S. maternal health system. Shamony Gibson and Amber Rose Isaac were vibrant, excited mothers-to-be whose deaths due to childbirth complications were preventable. Now, their partners and families are determined to sound a rallying cry around this chilling yet largely ignored crisis Directors Paula Eiselt and Tonya Lewis Lee follow Gibson’s and Isaac’s bereaved partners, Omari Maynard and Bruce McIntyre, as they fight for justice and build communities of support, bonding especially 终有一天,我与你相遇、相爱,编织出美好的记忆,完成短暂却充满幸福的一生with other surviving Black fathers. Their tragic, individual experiences are punctuated with condemning historical context, showing that gynecology has a long-standing history of exploiting and neglecting Black women in America. In the arresting words of mother-to-be Felicia Ellis, “A Black woman having a baby is like a Black man at a traffic stop with the police.” She emphasizes that paying attention is paramount. Aftershock brings an unsettling reality to the forefront while uplifting the families, activists, and birth workers who are striving to bring institutional change and legislative reform. These mothers will not be forgotten.
剧中经典神评;这不仅是一个经典的后现代演绎,其呈现的70年代美国新文化爆炸中黑人流行文化这一支的时代趣味,在歌舞片史上也是独一无二的。而正因为其尊重美国黑人社群的娱乐审美的表达,并包含了不少黑人在当时美国社会中的焦虑,自卑,反抗,希望,诉求的各层心境的隐喻,并描绘的是黑人心中的纽约梦乃至美国梦,没有得到美国主流社会的很大反响也就很好理解了。而如今看着银幕里杰克逊与罗丝,两人牵手欢快的载歌载舞起“Ease On Down The Road ”,活在久久不散的欢快旋律中是多么幸福。杰克逊不但已显露出他后来个人的舞技能力,每一段表演与动作也都与稻草人的特质惟妙惟肖,演的非常认真且饱含热情,可见他对这个能和罗丝合作的角色的喜爱与重视程度,自卑害羞的稻草人与他简直心神合一了,而每次与罗丝对望,也都更让人止不住唤起哀 荞麦早晚会得奖的,他细腻又充满爆发力的演技和身上那种阳光坚硬又纤细脆弱的矛盾气质令他独一无二又迷人,他差的仅仅是个好本子和一个复杂精巧的角色(我相信他可以驾驭任何充满矛盾纠结感的角色) 一些B级血浆动作场面还可以,但机关枪靓女戏份太少,主角居然是个GTA宅男,太对不起观众了